@Andrew Orlowski
" your argument is a fundamentally selfish and negative one. "
But I'm happy to make my own intellectual property freely available. My students pay for my courses and anyone can download my programs and notes gratis based on libre copyleft licensing. What I'm pointing out is the lack of moral purpose behind the idea of copyright. I accept a more limited pragmatic purpose behind commercial copyright, but this doesn't extend to non-commercial copying, or copying after the short time period required to meet the pragmatic purpose of copyright.
For a journalist, how long is it before yesterday's news loses its economic value ? And you imagine I will buy the idea that you need copyright protection of 70 years or longer for yesterday's news ! It's not as if your business model isn't similar to mine. I don't have to make incremental payments to read your Register articles and you don't attempt to sell them to me this way. Your creative outputs are supported on the back of site advertising revenue. Mine are supported on the back of student course fees.
Recording companies can whine about the Internet as long as they like, just as buggy whip manufacturers could whine about the automobile until they decided to give up whining long enough to rethink their business. I've been listening to a lot more live music recently. Listening to recorded music just isn't the same and never will be. All it takes for musicians to be able to work professionally is for geeks and journos and others like me and you to get out a bit more and be willing to pay to see good music live at a price which can no longer be subsidised by the sale of recordings.
As to asking people to give up a right, how about my right to privacy ? My right not to have my computer and network connections spied upon because someone thinks their claimed copyright overrides my right to privacy ? Until a few years ago you had to be the owner of a significant technical investment (a printing works or record pressing plant) to be able to reproduce printed work or recorded music at reasonable cost. Copyright law affected the activities of so few people that everyone else took very little notice. The rest of the population who couldn't afford printed copies of written work continued to copy as much as they could be bothered non-commercially using ink on paper, and if we couldn't afford pressed records then we could still copy a song by remembering it and singing to and with our friends entirely legally.
And so you are now claiming that the artist's moral right to income creates an obligation, no longer upon just a tiny number of printing and record press owners, but upon the entire population, to discontinue what we have done non-commercially since the dawn of history ? I dispute your view that the rest of the population are under any such moral obligation. This isn't as you claim because my "argument is a fundamentally selfish and negative one" . It is because the rest of the population has not been persuaded to give up the fundamental human right to engage in non-commercial copying within our abilities and means which we have always done and will always continue to do.
"Any more rights you'd like people to give up? How about habeus corpus, or the right to a jury trial?" Andrew - it's you that is arguing for everyone to give up fundamental human rights by stopping doing what we have done since time immemorial, not me. The thing that surprises me is that you clearly are not even a beneficiary yourself of the rights you are arguing that we should all give up in exchange for assumed moral rights that benefit a much smaller group of more privileged people.
Please allow me a fair use quote from Eric Clapton's "The Autobiography" (Century 2007): "The music scene as I look at it today is little different from when I was growing up. The percentages are roughly the same - 95% rubbish, 5% pure. However, the systems of marketing and distribution are in the middle of a huge shift, and by the end of this decade, I think it's unlikely that any of the existing record companies will still be in business. With the greatest respect to all involved, that would be no great loss. Music will always find its way to us, with or without the business, politics, religion or any other bullshit attached. Music survives everything, and like God, it is always present. It needs no help, and suffers no hindrance. It has always found me, and with God's blessing and permission, it always will". Thanks Eric, for making my point with far more eloquence than I ever could.
Andrew, if I have not yet succeeded in persuading you that there is a sound moral, artistic and economic case to the opposing side of your argument, perhaps you could investigate and write an article on why it is that so many of it's greatest beneficiaries so dislike the only part of the music industry that is threatened by non-commercial copying ? I for one will be very interested in what you have to say about this when you have looked into it to the extent I know you to be capable.