Pesky spelin chekur
distinctive copper heat syncs
And lo the command came from El Reg to assemble a hi-fi so extreme, so “bonkers” that only oligarchs, rock stars and the sporting elite would actually be able to afford one. So, avoiding the obvious temptation to simply cherry pick telephone number hardware, I’ve assembled a sound system of such extravagant exquisiteness I …
Yeah before anyone starts, FLAC, which amptly named if you ask me - yeah its "in devlopmeant" for this thing - so they released a HiFi product that is only capable of playing shitty mp3 and you have to wait for an add on hahahahahahahahahahahahaha so funny. Knowing these high end audio companies the'll go bust before the add on/update is released again hahahahahahahaha.
The MS13D rips CDs at either MP3 or full lossless WAV, tagged with WAV RIFF INFO tags. It defaults to MP3 only because most home gear cannot deal with WAV RiFF INFO tags - rendering them metadata-less when imported to portable players, or worse crashing the playback app (http://en.wikipedia.org/wiki/WAV). Though FLAC is a very useful format it still doesn't enjoy universal support; MP3 is so far the only audio format to have achieved ubiquity.
"Whats the bloody point then?"
Lucky you, if you can tell a 320k mp3 from the original. I can't, and that's through my freshly refurbed electrostatics. And even listening to material streamed off my Sammy GS2, I can still here every bum edit, mic sibilance, third violin with a hangover, gnats farting in the background etc.
I used to have this craving for uncompressed audio, but when you think about the sampling for CD, it is all a form of compression.
The argument becomes a little tiring - "I can't tell the difference between a 320k MP3 and the original, therefore no-one can".
For the majority of material (but especially music with a lot of transients) I can quite clearly tell the difference, even on modest equipment.
I believe there are plenty of people who can't (probably the majority of people) and I don't think those people enjoy music any less than I do, but they are not likely to be the kind of people in the market for the equipment in this article.
Since the device in question supports uncompressed RIFF audio with capacities up to 18 TB, the absence of FLAC might not be a dealbreaker. That said, FLAC support would definitely be a bonus for people like myself, who already have a large collection of music in FLAC format, to save a lot of re-ripping.
"The argument becomes a little tiring - "I can't tell the difference between a 320k MP3 and the original, therefore no-one can"."
Not what I said at all. I'd be willing to accept that a very tiny proportion of people can tell a difference, but at higher bit rates we're talking very, very tiny. Randomised testing doesn't find much evidence of golden ears, but I'm not dismissing it.
Taking your point about "not likely to be in the market for (this) equipment", rubbish. If I'm listening on a pair of Quads, do you not think that I appreciate high fidelity? I'm old enough to remember the hifi purists railing against digital, and companies like Linn maintaining that they'd never produce a CD player, and the whole bit rate discssion has overtones of that debate.
I'd agree with you that if you've got the space why bother to further compress what is (even off CD) a compressed version of reality, and that'sa future project I aim to get round to.
"I believe there are plenty of people who can't [hear the difference between mp3 and wav] and I don't think those people enjoy music any less than I do"
I think I probably enjoy it more mate, because I almost never spend any time thinking "I wish this was better encoded", and just enjoy the music instead. My £60 set of logitech speakers plugged into the onboard sound out of my motherboard does me proud :)
Yes, but... Apart from the somewhat silly CD player (use a PC: it will sound the same) this is a roundup of somewhat respectavle kit from somewhat respected suppliers.
People go shopping for such stuff in the price range that suits them, or just above. Those of us who can afford to spend only 10% or less are certainly not getting only 10% of the quality, especially if we avoid the bullshit accessories, cables, etc. Those that believe than another hundred thousand quid will get them that 0.001% extra ... well, it's their hundred thou, so let them spend it as they want.
For a money-no-object deck, though, shouldn't we be throwing the stylus (and its £3,000 cartridge) away and playing our old, scratched LPs by laser? Oh.... I wish I could do that!
If done correctly, yes it will. Data is data. There's no logical reason for a fancy CD transport mechanism. Good enough is perfectly good enough. Obviously I'm referring to the digital path. Analog circuitry can be more critical what with hum and noise. Don't start with "jitter"; nonsense.
What's particularly amusing is when the $100,000 component has stupid design flaws. Like audible humm from the bespoke but badly designed power supply. LOL.
Double blind tests have repeated revealed that the ultra golden ears crowd are full of it. Now they refuse to participate because they'll be sitting next to Uri Geller in the waiting room of the loonie toon test lab.
Your opinion may vary. But you'd be wrong.
Jitter isn't nonsense, especially when synchronisation is criticial in studio or field recording applications. Even with playback of CD audio, jitter can result in audible problems. CD drives in PCs are optimised for speed, which makes them more prone to seek jitter, causing an irritating skipping or stuttering sound.
Assuming you can get a perfect data stream from your computer CD drive, you still need to convert it to analogue, which is a risky process. A lazy or over-aggressive reconstruction filter can easily send the peak level of the audio over the theoretical maximum (0 dBFS). If the equipment's not ready for it, this can cause audible distortion, and it's becoming more of a problem now that most CDs are mastered right up at the red line in terms of loudness.
If you're that serious an audiophile, you'll already have digital everything from the CD ROM to the amplifier. Any DAC will be inside whatever expensive amplifier you have, with nowt but raw digital data being sent via SPDIF, digital coax, fibre, or whatever digital output is on the back of your PC. This is without going into skip and jitter prevention technology like, say, a buffer.
The days of analogue audio cables running from the back of the CD ROM to your sound card through the copious RF noise inside your PC ended some 10 years ago.
"If you're that serious an audiophile, you'll already have digital everything "
Au contraire, if you're a serious audiophile then you'll be sitting in a cave whining to your like-minded mates about how digital is cack, and only pure analogue sound played off vinyl through valve amplification is the one true faith. And then you'll be diving into your wallet for the latest audiophile snake oil. My favourite was the HFNRR flux dumper:
British science at its finest.
No it isn't. It is perfectly sound, in theory, and even one of the easier audio problems to explain and understand.
However, is it relevant in real life? Get away from the audiophoolery, and look at pro or semi-pro sources like Sound on Sound. Alonf with the explanation, you'll find that the problem was mostly sorted years ago. And those articles were written years ago.
In an ordinarily-priced CD player: No, because the transport and the DAC are so closely linked
In a PC+sound-card system: No, because actually none of use the specially-designed-to-be-bad sound cards that the digital phools assume that we use. In fact, really bad sound cards have not been available since the days when Soundblasters lived up to their name.
Thus, in digital audio, and especially in PC digital audio, almost all of the mays mights and buts can be very safely ignored.
That is not to say that these systems always work perfectlty. I've had more than my share of bad PC sound --- but when it happens, it is obvious, not subtle. Audible crackles and dropouts are not a digital sound problem, they are a problem with the particular machine/configuration that is producing them.
I suspect that "Jitter" gets talked about a lot because it looks like an onomatopeic word. It reminds people of wow and flutter! It's much easier to pretend to understand "jitter" than quantization errors or harmonic distortions --- and this is true even of people who know what it actually is.
others have already replied what I would, so just note the key words in my post: 'digital transport'. a 'transport' - as referred to in the article - is a digital source with no DAC, basically. it's designed simply to feed the digital signal into another DAC (part of a receiver/amp, or a standalone DAC, or whatever).
Wasn't gonna comment on this more, but...
Went to a HiFi store by invite (Maida Vale?) years ago for a demo. of some new kit. Visit arranged by my audiophile chum. About 12 'Golden Eared' folks there.
Listened to some seriously good music, and I mean good quality - ish...I say 'ish'. It was only about 5 mins. into the demo. that I remarked that the speakers were misconnected - out of phase. Indeed they were ( +/- opposite on one - there's a 'hole' in the centre of the sound - try it at home). None of the 'Golden Ears' realised it, until I pointed it out....
I had the same experience listening to a mates brand, spanking new setup, which culminated in a pair of AE100 speakers.
After a couple of minutes I said that there was something amiss with the right-hand speaker, a suggestion which produced an outraged response. I convinced him to shut everything off and went round the back for a look.
He had them biwired and had left the links on the right-hand one. I removed them, we fired it up and I pronounced the problem resolved. Shame he couldn't hear the difference.
What,you put used vinyl on 300k of kit !!!!
its 300k's of crud,i like the trouser press speakers though, as they match hotel rooms fittings.
yer better of spending less on poncey over priced design label kit and spend instead on a proper underground sound bunker, other wise best kit in world is buggered from the start...
Only a few people I know still have full sized hifi systems. Others know nothing better than laptop or ipod based audio.
Much of my system has been rescued from dumpsters, including big B&W DM2 speakers and a 55 watt NAD receiver. Technics SL1200 and Thorens 125 turntables, various CD players with classic Philips swing-arm lasers were flea market finds.
Older stuff has a more enjoyable sound than the latest multi-£k models where screechiness seems to be equated with optimum information retrieval. As for networked audio -- hardly hifi and seems like a lot of unnecessary complication.
Yeah OK, the SL1200 is not meant to be an "audiophile" turntable. Rather, it's a workhorse, built to resist dire abuse which would instantly wreck any other deck.
Just to make the point: I owned a Thorens TD166 once. It was damaged beyond repair by customs inspectors when I moved abroad. No doubt a SL1200 would have survived.
Thorens 166, and especially 125, would make an impractical disco turntable. Heavy components loosely sprung, need to be partially disassembled and replaced in original packaging before transit. The pity about the SL1200 is that the feedback isolation is not that good and the arm -- despite high price of SL -- is like those on budget Japanese turntables (bearings need to be checked and tightened or the sound is affected). Speed stability is good, though apparently can be improved with mods.
You're paying for hand-cut pieces of plastic and looks, not for technology or facilities. This is the one piece of kit on the list that shrieks audiophoolery, and gets a no-thanks from me even if they giving it away.
The turntable? Yes, but even considering its titanium-for-effect stuff, it still has technology.
For sheer class you want a pair of 1kW valve amps like these:
This one is being run quite 'sedately' as the poster explains.
Then there's this:
Those O/P valves run at around 2kV and judging by their colour I'd say they are running at about half power, although the shot of the meters suggests a lot lower. The ones in these vids are in remarkably good condition.
Crappy audio from the camera of course and naff choice of music :(
I still don't know why the big deal over valves. Sure, you can get nice-sounding valve amps these days, but you can also get lovely-sounding transistor amps that don't have the requisite 30 second warm-up associated with valves.
In a guitar amp? Sure, the overdrive characteristics of valves provide a much richer distortion than the awful, scratchy clipping you get from an overdriven transistor, but we're talking hi fi here, shirley? You know, as in trying not to overdrive things?
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