New world in spite of ourselves
It's a question of reproducing a work of art. So we need to look at where art is today. And it's not where it can be controlled by rich guys controlling expensive hardware that gives them a monopoly on reproduction. In some niches, like big bronze reproductions of big prestigeous statues, this is still a bit true, but in terms of music and performing arts, not at all. So we're back to the origin - it's the performance and the collective experience of music, theatre etc that's real, and all the rest is reproduction.
Painting has given us a lesson here. The "original" - say a Van Gogh or a Titian - needs to be monopolized like mad, surrounded by security and all the signals of wealth and power involved at that scale. The reproductions scale all the way from a real artist's recreation (expensive, and jealously watched over) via a decent print to a cheapo postcard. And the postcard only costs what it does because of the material labour required to get the image on the card and into the shop.
The labour required to reproduce a piece of music at the decent print level is thoroughly socialized today. Masses of people can record that well, more can put it online, and almost everyone can download it.
Same goes for words in a book, of course, except that the process of reproduction is perhaps more zealously protected by publishers and scanning is still a bit of an art. Once the basic transfer of ink to electrons has been done though, the bat is out of the cage, and flits where it likes.
In a nutshell, our technology in relation to art is way ahead of our social competence in managing it - cos we live in a crappy decaying capitalist system that's outlived itself by at least five decades.
Time to see ourselves as one collective, the human race, working for and with one another. From No holds barred to No bars hold.