The Voynich is more complex than that.
There's the huge problem of how many characters are used - there's almost no agreement about whether some characters are distinct or whether they are actually different characters with ligatures. Estimates vary that Voynichese uses between 20 and 30 characters for the bulk of its text plus a few other rare characters.
Then when you start doing the number crunching odd things begin to appear - there are definitely word-like groups in the text, but the word lengths do not resemble any known language - there are very few short words and very few ones over 10 characters long. Some words are only found in certain parts of the manuscript. Individual words are often repeated either identically or with slight variations - a pattern not usually found in real texts.
The patterns of characters are definitely not random, there are rules about which characters follow others and which do not and whether they appear anywhere in a word or only at the beginning.
When you measure the entropy of the whole text (ie. how predictable the text is), it comes much lower than most European languages, around the same as English or Latin - but neither of those match the previous patterns found in the text.
It most probably is completely meaningless, but a huge amount of work was put into its creation and it would be wonderful to know more about where this thing came from and why it was made.
The best suggestion is that it was an alchemical fake designed to impress the rich and powerful in Central Europe, but there is a frustrating lack of contemporaneous evidence for the book prior to the early 17th Century (we now know from C-14 that the vellum is early 15th Century, but that does not necessarily mean the book itself is that old).