Enormous flight deck
The enormous flight deck was introduced with Paul McGann's doctor (that Americanized single-episoder is still officially part of the mythos!). It's about the only part of that reimagining that stuck.
The TT Type 40, Mark 3 – it sounds like a motorbike made by BSA. But it is, as any fan will tell you, it is the model of the Doctor’s TARDIS, in which he departed without permission from Time Lord homeworld Gallifrey between 700 and 900 years ago – though we space-and-science-fiction nerks only got to start tuning in in 1963. …
<nerd> She was called Compassion. Introduced in Interference, turned into a TARDIS at the end of Shadows of Avalon, and runs off in the Ancestor Cell. The first human-like TARDIS appears in Alien Bodies, where she is from the Time Lords future, and comes complete with continent destroying weapons systems. </nerd>
I've spent too much time reading spin-offs.
>"William Hartnell once had a problem with a stuck switch that took him back to the start of time."
I wonder if the paragraph outlining the story details and the big close-up picture of the switch in question on the first page of the article prompted your memory at all?
It seems that back in the days we could use our fantasy much more than we can now. Back then bits and snippets were more than enough to visualize the Tardis while many TV & film producers nowadays feel the need to show and explain the whole thing in every little bit of detail, right to the level where it gets a bit absurd.
Whether this is for get better of worse is something I can't answer. I enjoyed quite a few of the new Doctor Who episodes (last season I saw was with Amy Pond) though also considered some a little bit over the top. But then again; same applies to some of the older episodes; and I don't refer to the shows being a bit slower or less "action packed".
My main "gripe" with the modern Doctor Who is that it sometimes tries to be too perfect for my taste. Like the Amy Pond episode; the whole re-run timeline at the end was pretty fun. But if you do that you can be certain that people are going to dig into it to see if the whole thing matches and fits.
When compared to my favorite Anime series to date (Ghost in the Shell - Stand Alone Complex) you too see a very intermingled storyline where small details turn out to be very big clues, but without the theatrics. A small detail is just that; a detail yet with a certain importance to it. In order to check it out you'll just have to see the episode again and get baffled at the way it fits together.
With Dr. Who otoh. it seems as if they desperately try to make the whole thing fit together and hardly leave anything for the viewer to be curious about (apart from the things which they /want/ you to be curious about).
Still, all in all sometimes I think we're talking the whole thing too serious and let ourselves forget that in the end its all entertainment.
It was redesigned because someone nicked the original when it was on tour. Though when I visited it, I didn't think it was the original, but more mock-up done by someone who had glanced at it once.
I do remember Ian & Barbara being suspicious of Susan's answers and wanting to meet her Grandfather and following her.
Even as a small kid that seemed like a couple of massive plot holes, I may have missed part that made it more believable:
1) Why was she at School /College?
2) How did she get enrolled without address, biirth cert etc?
Someone once said the Best SF is where there is only one "unbelievable" fact . Of course Dr. Who isn't SF now, if it was once. Sort of a rubbish mixture of Horror and Teenage drama now. I guess it gets such good ratings because the dilution of Multichannel T, Reality TV, Soaps, phone in and such that TV is generally now so poor we are reduced to to watch DVD box sets.
If there are repeats of any good programs they are either on daytime or pay tv.
As I recall, it was explained: Susan was learning about human culture. She was also learning how to fit in and failing. As a 'child' this could be dismissed as attention seeking or wild imagination. An adult would have a much harder time explaining it. So it would make sense for Susan to mingle with different races/cultures so she could learn to blend in.
The Doctor had somehow acquired property so had an address. A birth certificate isn't hard to get around if you consider the technology available (or just claim it was lost). Also, consider where the Doctor obtained his wealth from to buy that property - he had to have valid resources or a very effective method of forging money/documents etc.
In all, Susan being at school is not unbelievable.
Anyhow, now I know what I'm doing tonight... watching the film again to check :p
In the good old days, if you turned up in front of an official's desk looking like a man, a woman, a child, you were treated as such. 'Prima facie' evidence was enough for most circumstances.
Ah, the good old days, bliss was it in that dawn to be alive, But to be young was very heaven!
...overproduced. Too much intrusive music. Too much overhyped emotion turning it into a sort of temporal Eastenders - maybe a 'Time Opera'. I miss the coolness (in the older sense) of the earlier series.
Regarding the Tardis, what has been lost is the obvious maternal imagery. The Tardis was the 'mother' ship to its occupants, an impregnable womb. Uneasiness among young and not-so-young viewers grew as it was left further behind in the serial. Became an almost physical discomfort when it was stolen or took off independently into the void.
So, if the Tardis becomes incarnate in the American version it shouldn't be represented by some dolly in a police uniform, boots and a shooter. It would be better represented by a plump, middle-aged motherly sort who can dab temporal TCP on the Dr's time-wounds.
The episode where Billy Piper goes back to 1987 (despite the presence of a mid 90s Vauxhall Combo and E36 beemer) to save her da from a Chevette.
She watches it then goes back and pushes her da out of the road. The bad guy from Gone in 60 seconds is raging, then storms back to the Tardis, but it has converted into a Police Box. At this point he realises all is not well in the world.
Ecclestone has had a mixed career (All right as Jesus, superb in the Shadow Line). I don't think he did well in Dr Who, but then I don't think the rest of Dr Who did well (tho I'm hypercritical of the whole thing). Anyway. Maybe he did as well as he could with the Gone in 60s script (neither Cage nor Jolie could boast either), but the Shelby Mustang was the true star of that film.
Back in the '60s you just turned up at school. You didn't need no steeking bits of paper. Part of the plot was that Ian and Barbara were getting suspicious with all of Susan's avoidences of formal documentation of her existance, so they followed her home to do their pastoral duty of check out her family background.
each Doctor now gets younger and more spastic. If this evolution persists, we'll end up next with a Justin Bieberish lad who's strung out on too many espressos. After that, a Doctor toddler who's cursed with Tourette's bouncing off the wall spouting "fantastic" two or three times a second for the whole episode.
give me a Doctor capable of appearing and speaking with decorum again, please? the arrogance of a Time Lord is barely palatable when they're at least physically mature. Hearing that from a frat-boy class cut-up is annoying. I spend episodes awaiting more Amy in short skirts and Rory being a either a henpecked hubby or a raging God of War.
The last two Doctors, do not instill fear when they are angry. It looks like temper tantrums. When Baker went off, you felt like the Principal was going to tell your parents you misbehaved. When Ecclestone raged, you *knew* someone or some race was going to die badly. Now, you just look at the Doctors and think, "The only reason you are remotel capable of looking down on anyone is because of the giants' shoulders you have been placed upon."
"Attack of the Cybermen" in 1986 - The Doctor briefly repairs the chameleon circuit, but does something of a botch job on it, with the end result being a series of external shell disguises even more out of place than the original Police Box, such as the aforementioned Welsh dresser, and old Organ with working keys (IIRC), and a fairly elaborate doorway set into a random wall in a cyber tomb on Telos. At the end of the story, the changes are rolled back, and never spoken of again.
I have no problem with the egg whisk controls. They are merely icons of the best possible user interface for the purpose.
The Tardis, like much Gallifreyan technology such as the Doctor's magic wand, has a telepathic interface providing many services including translation and flight control.
The console/control room, like your computer interface, can be designed to appear in any way you like, according to the owner's whims. It doesn't even need to feature a console. The actual Tardis command interface is telepathic. The physical controls are a metaphor, rather than physically connected to anything, where the physical manipulation confirms the intended action of the user. This requirement for physical action is to prevent the mere thought of something happening without actually meaning it. For example, launching all the missiles, or setting the controls for the heart of the sun, could be a bad thing to do if the idea merely crossed your mind.
The physical controls metaphorically control the functionality the user expects/thinks/believes them to, so to an observer the slidy/tweaky/plungy object's apparent functionality can vary over time depending on the user.
The telepathic user interface is designed and "tuned" for Time Lords, which is why only Time Lords can fly a Tardis. That, and the security software.
The brake fluid reservoir of the current design is probably some metaphorical level indicator. Possibly of brake fluid.
If the TARDIS ever were to be rendered as a real life woman of the female persuasion, as it were, even then and, AND even with the ability to navigate the space-time vortex, it would STILL take 30 minutes in the bathroom when there's only 5 minutes to go before the time you booked the table for.
That wasn't the TARDIS, that was the sentient part of the TARDIS inhabiting another body temporarily. In that form it was devoid of space-time travel capacity (at least travel beyond the usual up/down, left/right, backwards/forwards, 1 second per second only travel that us meat bags can manage).
I'm from the North. Lots of planets have a North.
"Eccleston has had a mixed career ... I don't think he did well in Dr Who"
Eccleston as the Doctor made Saturday evening TV a must-see for me for the first time in a very very long time. Those that followed... sorry guys, no comparison.
"When Eccleston raged ..."
I'm very cross... GO TO YOUR ROOM!
"The TT Type 40, Mark 3 – it sounds like a motorbike made by BSA."
The TARDIS sounds like this.... VWOOOOORP VWOOOOORP. IME a BSA sounds like this "duff duff duff duff" or more often "ping....................... ping....................." as it cools by the side of the A6 having stopped (again) for no readilly apparent reason.
It's the one with the Ace Cafe patch if you'd just like to pass it across.