back to article Pirate Bay loses trial: defendants face prison time, hefty fines

It's official - the four defendants in The Pirate Bay versus entertainment industry trial have been found guilty in a Swedish court of being accessories to breaching copyright laws. The verdict was handed down to four men behind the notorious BitTorrent tracker site this morning in a court in Stockholm. "The Stockholm …

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  1. Anonymous Coward
    Paris Hilton

    The best of Democracies

    In the UK our humble overlords do not need TPB to get "free" films - even (pseudo) adult entertainment via cable.... We have a very satisfactory setup here in the UK where our leaders are beyond reproach, and as such do not require any support from representatives of undemocratic associations.

    Basically - Our democratically elected and valued "representatives" can "afford" to be tough on copyright piracy...

  2. Anonymous Coward
    Paris Hilton

    @garbo the child

    "So, by this definition, I can take your Aston Martin for a joy ride, return it, and walk away without charge. So, theft is NOT theft if thief returns stolen property?"

    Very confused circular reasoning - so what is your point? By definition theft is theft otherwise it is not theft by definition. Your description of a joy ride however is not a description of theft if you intended to return the car. Which by the way is why you called it a joy ride in the first place! This does not make it legally acceptable - it just does not make it a theft! For the same reason that vandalizing your car is not the same as stealing your car.

    If you continue to read up about deprivation of artefact usage you might eventually discover a more appropriate definition to be used instead instead of theft. But theft it is not and so a person who borrows your car without your permission and returns it later is NOT a "thief" and the property was NOT "stolen". There is a reason for why "intention of permanently depriving" some one of property is specifically mentioned.

    You should not call some one a thief who has not stolen anything... Life is not black and white in world of adults.

  3. A J Stiles
    Stop

    Those who think it is theft

    I'm still waiting to hear what the "thing" is that you used to have before someone downloaded a copy of something, and that you don't have afterwards.

  4. Anonymous Coward
    Flame

    Re: Those who think it is theft

    "I'm still waiting to hear what the "thing" is that you used to have before someone downloaded a copy of something, and that you don't have afterwards."

    Indeed. Still, I don't think that simplistic corporate propaganda employing the term "permanent joyride" has the same shock value as that employing the term "theft", so I guess we should continue to expect more of the same.

  5. Gaz

    @AC Sunday 19th April 2009 00:01 GMT

    First off props for taking the time to respond. Apologies if I came across as confrontational, had one too many arguments that day with people being disengenous over the whole issue. I realise now you're not.

    "So, is the solution to regulate every site on the Internet in such a way that you need an "Internet licence" to get onto the net in the first place and to have every upload approved by some government appointee? Or is the solution to have DRM on everything? You're not really proposing any solution as such"

    No. And I honestly don't know what the ideal solution is either. Its not necessary to have it however in order to recognise when something is broken. How is allowing a third party (e.g. TPB) to profit at the complete expense of artists an improvement over the status quo of allowing a third party (e.g. record companies) to profit mostly at the expense of artists?

    Personally I think that a certain amount of "piracy" is healthy as it prevents groups like the record companies from having a complete monopoly and charging whatever they want. Not every download is a lost sale. I strongly believe that if you're "in" to your music for example it can be mutually beneficial (e.g. discovery leading to purchases, gigs, etc).

    Equally however some downloads probably are lost sales especially among people with a more a casual interest. Different ways of recompensing everyone involved are needed because you can't compete directly against free. If as seems to be the case, advertising alone is not sustainable we may have to consider something like taking a cut of say broadband subscriptions into a pool for sharing out. There would be issues on how the money divided out and making sure it doesn't go into a blackhole like it does alot of the time now. DRM could actually serve a useful purpose tracking the numbers of different downloads in order to do this. Of course there'll be the usual pissing and moaning that its not fair for people who don't dowload etc. However I don't see it being much different from the way we all contribute (e.g. tax) to things we may not make use of directly and vice versa.

    Ending the use of DRM to lock content down (except for say content being rented out or supplied on a subscription basis) and offering more legal alternatives would also help. And we are slowly heading in that direction already. 2 years ago I struggled to find any digital store carrying the kind of music I enjoy. Now I can buy albums for even some of my more obscure bands from Amazon MP3 for a fairly reasonable £5-7. Sure theres still a way to go. It would be nice for example to have higher quality encoding available more widely (e.g. FLAC). Services like Last.fm could offer a subscription services with unlimited streaming and perhaps member benefits (e.g. discounts off download to own, merch, etc)

    "At what point does "protecting the rights holder" become an excuse for shoring up the status quo in a much wider sense?"

    Thats exactly the point though, it shouldn't be. I honestly believe there is debate to be had on copyright/filesharing but it is a separate one from wider issue of freedom of speech/net neutrality. The latter is not and should not be about the right to help yourself to someone else's work for free when they have no recompense. By hijacking the issue TPB are undermining the argument for something far more valuable: to keep the web as one the place where we can have the closest thing to true freedom of speech.

    "Just because you choose not to see the connection between broader "intellectual property" regulation and the political enthusiasm for the "knowledge economy"

    Perhaps I can't see the wood for the trees again but I honestly think that the connection in this case is limited. They crossed the line from accepting donations/sponsorhip to actively making money (e.g. from ad revenue, selling merch, etc even if I'm prepared to accept it barely covered running costs, which I don't). Consequently I have difficulty in believing that there is a wider principle at stake.

    The judgement itself does not as far as I can see change where the legal lines are currently drawn. IP laws remain the same and the same safe harbour provisions are available to services with plausible non-infringing uses. TPB were so blatantly the wrong side of the line I don't see how its possible to defend them without being disingenuous.

    Don't get me wrong I realise there serious problems with IP regulation (and quite a lot of other things) at the moment. What started as a well intentioned to encourage and reward innovation has been perverted into a way of making money at the expense of the very things it was supposed to ensure. The lower bar set for patents and ever increasing duration of the exclusive rights granted are only part of whats gone wrong. And you're absolutely right how our consumer goods are made should not be someone's problem seeing as we are responsible for the demand in the first place.

    However for reasons stated I don't believe the TPB case was about any of these things and that to link them is to trivialise the the wider issues.

    @ Anonymous Coward Posted Monday 20th April 2009 09:50 GMT

    "It is NOT TRUE that people have to make a living from their art"

    You're right. However I'd argue the world would be poorer place culturally if this became the norm.

    Sure professions have died out over time but nearly always due to lack of demand. This is NOT the same as people not having to pay. There IS obviously still demand for things like music, movies, games, etc otherwise people wouldn't be downloading them. Thing is its now possible for people to get what they want for free.

    This isn't a problem if we find a way of recompensing artists fairly (e.g. through advertising, donations, indirect sales generated by publicity, etc). Otherwise we all lose out, as less art ends up being produced due to artists having to make a living by other means. Warm fuzzy feelings don't pay bills.

    No doubt in such a situation many will try to carry on doing their art because of the enjoyment it brings them and others. However they have the money already (or patrons with money) it likely be at their own expense. Why is this something we want to aspire to? Do we really want to return to the days where art was a preserve of the rich? On a more general level, why should people be expected to give you something (e.g. entertainment) in exchange for nothing?

  6. Anonymous Coward
    Happy

    making a living from art

    ***"It is NOT TRUE that people have to make a living from their art" You're right. However I'd argue the world would be poorer place culturally if this became the norm. ***

    What does it mean to "make a living from their art"? Does this mean to make a living on copyright revenue from intellectual property"? Or does this mean payment for practicing "artistery" (exhibition, show, writing on demand etc)? Perhaps the time for making money on collecting "intellectual property" is over? Just like the transformation to an industrial society changed the world, the way we live and the way we make a living - perhaps now it is time for the "knowledge society" to change the world?

    *** Sure professions have died out over time but nearly always due to lack of demand. This is NOT the same as people not having to pay. There IS obviously still demand for things like music, movies, games, etc otherwise people wouldn't be downloading them. Thing is its now possible for people to get what they want for free. ***

    In life there are many things which many of us would not pay for but which we often assume to have. Free in this case usually means that we are not prepared to pay in monetary terms for what we want. There are quite a few examples of things which are got without them being simple financial transactions. Some of which would in many countries be both immoral and illegal if they were treated as financial transactions indeed. "Having Sex" is a an example of activity which by many is viewed as immoral to pay for - even if most people appear to expect to engage in it "for free". This "having sex" is often incorporating some surrounding and contextual cost but is not itself usually charged as "a service". We could ofcourse say that in Sweden (where paying for sex is illegal and prostitution appear to be somewhat less common then in the UK) the availability of and appetite for "free sex" has brought the market for prostitution to a grind (more so I would suggest then the criminalisation of it). In any case I would argue that in Sweden there is plenty of demand for Sex and the limited access to prostitutes would not appear to have had a negative effect on the average persons sexual enjoyment. Neither quality or quantity appear to have been negatively influenced.

    *** This isn't a problem if we find a way of recompensing artists fairly (e.g. through advertising, donations, indirect sales generated by publicity, etc). Otherwise we all lose out, as less art ends up being produced due to artists having to make a living by other means. Warm fuzzy feelings don't pay bills. ***

    I do not believe that we as a society would necessarily loose out. Does anyone really believe that the Swedes loose out in their personal sexual practices and entertainment because paying for sex is unacceptable and illegal? I would suggest that it would appear that Swedes have a much more vigourous (and possibly more entertaining) sex life than we have here in the UK. In any case, making a living by "other means" might not be as bad considering that those "other means" might be very different from what we can imagine when looking at the world of today. And who knows perhaps fuzzy feelings might pay the odd bill...

    *** No doubt in such a situation many will try to carry on doing their art because of the enjoyment it brings them and others. However they have the money already (or patrons with money) it likely be at their own expense. Why is this something we want to aspire to? Do we really want to return to the days where art was a preserve of the rich? On a more general level, why should people be expected to give you something (e.g. entertainment) in exchange for nothing? ***

    First of all I see no problem in the idea that people do their art because of the enjoyment it brings to them and others. I do however see a lot of issues with the idea that some people appear to do their "art" for the money only. Why should we not want to aspire to the idea that people would only "do art" for its own sake or for the pleasure of it? I do not belive we would be returning to any previous culture - I believe that we are moving on to a new and slightly different one in the future. While this may require some resources it is not necessarily a preserve of the rich. If it ever was, in the 19th century for example an amazingly large proportion of the common Czech population was enjoying in playing, singing and composing music - and ripping each others ideas of in the process. Second I truly believe it is incorrect to assume that people expect everything for nothing in general. In my experience people appear to be prepared to pay for entertainment - people are just not all that interested in paying for the use of "intellectual property". People appear to happily pay for live entertainment for example.

  7. Gaz
    Happy

    Re: making a living from art

    *** What does it mean to "make a living from their art"? ***

    Simply to be able to produce art professionally and still have a reasonable chance of making ends meet. Ideally like you say from live performances, writing on demand, etc. However I do still think there is place for copyright protection, not so much for making money directly (e.g. as in the case of royalties) as in helping to ensure an artist doesn't lose money they've already spent.

    Producing an album for example still requires a not insignificant initial spend. Assuming its good and generates sufficient demand (e.g. for the purposes of argument enough to breakeven if it was a purely physical product they were selling) its only fair to have a way for the artist to at least cover their costs. If another means of doing this is found then IP protection would become superfluous.

    And perhaps you're right, we may well be on the brink of another sea change. It is already possible to record and distribute content digitally much more efficiently than before. In terms of music however I'd argue that some genres (e.g. electronic) lend themselves better to this than others. In many cases there is still a noticeable difference quality for example between a home made EP and one professionally produced in a recording studio.

    *** In life there are many things which many of us would not pay for but which we often assume to have... "Having Sex" is a an example ***

    I guess the question is whether professional art should become one of these things. Sex is perhaps an unfair comparison though. Its usually sufficiently enjoyable for the parties involved that the contextual costs can be considered marginal rather than "production" related ;)

    *** Why should we not want to aspire to the idea that people would only "do art" for its own sake or for the pleasure of it? ***

    I wholeheartedly agree! Its just that I don't see how this should necessarily preclude people from making a living out of it. To take a ye olden example, bards were often afforded free food and lodging in return for their services.

    *** I believe that we are moving on to a new and slightly different one in the future. While this may require some resources it is not necessarily a preserve of the rich. If it ever was ***

    Admittedly I'm looking at this from the point of view of art as profession rather than a hobby, which I recognise is only subset of a much wider scene thats always been around as you quite rightly point out. Obviously there is a lot of professionally produced mainstream drivel. Equally however in other cases I believe the extra time/effort/money spent really shows in the final result. Basically I don't think we want to get to the stage where for example albums are regularly not produced because people lack the initial funding (similar to what happens with some inventions nowadays).

  8. Matt Bradley
    Coat

    @A J Stiles

    "I'm still waiting to hear what the "thing" is that you used to have before someone downloaded a copy of something, and that you don't have afterwards."

    Oh that's easy. A source of income, and a way to pay for the cost of production by reselling the product.

  9. Anonymous Coward
    Thumb Down

    @ Matt

    *** "I'm still waiting to hear what the "thing" is that you used to have before someone downloaded a copy of something, and that you don't have afterwards."

    Oh that's easy. A source of income, and a way to pay for the cost of production by reselling the product. ***

    Do not describe it as an inevitable fact when it is not a fact!. You did not loose a source of income. You *PERHAPS* lost a source of *POSSIBLE* income. Just as you *PERHAPS* gained advertisement and so *POSSIBLY* got yet another sale!

    Your SPECULATIONS are NOT FACTS, pretending them to be facts is MISLEADING and DISHONEST! It is pure wishful thinking to believe that all copied material would have any straightforward and unproblematic ntaural relationship to sales and loss of income!

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