"2.168 bytes/per hour (17.344 bits/min)", surely that is kilobytes per hour.
In the town of Bayeux in northern France you can see the world's oldest information archive based on a long ribbon of material, a very early example of what was to become tape media. The 1000-year-old Bayeux Tapestry, actually an embroidery on a fine linen background, depicts a sequence of scenes telling the story of the …
"2.168 bytes/per hour (17.344 bits/min)", surely that is kilobytes per hour.
and I enjoyed it very much indeed - thank you.
51,678.72 square inches at 47dpi (which is 2,209 dots per SQUARE inch) with 3 bits per dot (because there are 8 colours) is 342,474,877 bits, or approximately 40.826MB. However, this figure fails to account for the fact that the Bayeux Tapestry is not a tapestry but an embroidery. So it's really only the embroidered area which counts, not the linen ground, which will reduce the information content by maybe 50%. Even so, that still comes out rather higher than the author's figure of 2.429MB.
You only get a saving on the "empty" areas if you use compression.
There are 8 colours used in the tapestry, making it 3 bit colour. For 8 bit colour depth, you'd need 256 colours.
So, the capacity calculation becomes (47 * 51,678.72 * 3) / 8 = 910.84 KB. Or 7.29 megabit.
Any sales department would love an archive like this - telling just one side of the story and with a wonderfully revisionist version of events.
Maybe I'm being really thick (which wouldn't surprise me given how ill I am at the moment), but I'm not sure your figures are right.
Your calculation appears to be: 51678.72 * 47 / 1000000 = 2.429MB
So this is in fact assuming 1 byte per colour, not one bit - Which makes more sense given you previously stated a colour depth of 8. Although it's not clear if that is a depth of 8 bits or a depth of 8 colours.
That aside, shouldn't the calculation be: 51678.72 * 47 * 47 / 1000000 = 114.16MB?
The resolution is 47 dots per inch and therefore 2209 dots per square inch.
"10.84 bytes/hour; a spectacularly slow data rate in information transfer terms."
I hope this article was written in much less than 30', otherwise the the writing was "spectacularly slow" in information transfer terms.
Many scrolls http://en.wikipedia.org/wiki/Scroll pre-date the tapestry, and still exist. Scrolls are also a long ribbon of material containing information.
There are any number of records from the antiquity that beat the age of the Bayeux tapestry by thousands of years. Clay tablets are probably the record holders (the Wikipedia entry shows a picture of one from circa 2270 BC). OK, they are not tapes, more like memory cards (the precursor of punched cards?).
As recording devices, they have modern aspects, like being of more or less standard size and using a standard data encoding (at least within a given culture). The Bayeux tapestry was a one-off, but the clay tablets reflect an ongoing culture of long-term archival.
They're not really "ribbon based", eh?
... and you've got a tape write head. The information written is limited and repetitive, but there's nothing stopping you from creating nice ribbons with those.
The ancients had it all !
If you write the clay tablets in cuniform, you can identify them using cuniform resource locators!
Yes, Chinese paper scrolls with writing are around 2000 years old, making them comfortably older than Bayeux. And Egyptian papyrus is about 5000 years old. Textiles with ideographic information may be older. The "oldest in the world" claim is unsupportable.
As for the rest of the article, it's cute; but people do these sorts of calculations all the time (often along the lines of Tannenbaum's famous "bandwidth of a station wagon full of tapes" remark, though he doesn't actually provide the numbers). Even the serious data-comm texts I have on my shelves indulge in it once in a while, and you'll see it pop up from time to time on Usenet. A standard geek genre, in other words.
A good reminder of the transience of our current information storage methods.
Today it's fast, but ephemeral. If you want longevity, then the data has to be encoded into the fabric of the substrate and the read heads need to be biological. It also helps that the biological processor hasn't changed much over the years.
So what's today's equivalent for long-term archiving?
and then strap said metal to a space ship and blast it off out of the solar system.
Voyager will most likely still be whizzing through the stars when the Earth is a blackened cinder. Of course it's mainly a write once read never mechanic, so you can achieve the same end by just melting the metal after you've written to it.
I think it's beta.
Microfilm is the 'tape' version, while Microfiche is the 'disk' version.
Microfilm is a lot more widespread.
To read it you just need a person and a magnifying glass. And patience, yes, lots of patience.
It's also machine-readable and relatively simple to copy, so you've got the best of both worlds.
Preferably archival paper using suitable inks. So how much data is going to be lost forever with the move to kindle type machines and books that eventually will never get printed :-(
it's not like it can burn.
Library of Alexandria anyone?
Researchers and engineers aware of this need for high capacity, ultra-high reliability long term storage. The most promising approach that I've heard of involved electrically switched mechanical bits.
If you've etched a mechanical switch that is big enough to ignore radiation and thermodynamic effects, and you keep it somewhere sensible, it'll store data pretty much indefinitely. If you've etched several billion of them... problem solved.
I'm assuming that you do need some kind of locking mechanism to prevent vibration screwing up your data. Not really a problem if it's a write once, read forever type of system. The switch needs to be ultra reliable, the lock only needs to change state once.
Here clay tablets again show their superiority: Fire just makes them stronger.
they don't do so well on the drop test.
This has to be the geekiest and most awesome article I've read in quite a while.
(Almost as geeky as reading El Reg on a Sunday (aka unbillable hours))
There's a copy in Reading Museum. I don't know how long it took them to make but they censored it as they went along, putting clothes on the naked men.
Reading is home to Oracle, Microsoft and a bunch of other significant IT companies - so a wonderful quirk of fate.
now do the Lascaux cave paintings
You mean you went on holiday to France and all you could think of was storage performance? Now THAT'S one dedicated tech hack.
Mind you, could be the start of an all new section on El Reg: a geek's-eye view of the world's tourist attractions, or how to make something commonly held as interesting mind-numbingly boring to all but the geekiest techs. Could even be made into a TV series, with James May to host it... Can't think of a suitably pun-laden title, though. Ideas, anyone?
Paris, obviously, as that's one tourist attraction all techs would like to cover.
You read it as Chris going on holiday and thinking purely of storage performance (extremely geeky i would have to admit). However, I read the article as Chris going on holiday and then thinking of an easy way to get the company to pay for the whole trip!
"Yep boss, i was investigating old archiving mechanisms and discovered this really amazing old method called the Bayeux Tapestry. I think it would make a really interesting story... Oh and heres my expenses for the holid.. i mean business trip..."
Good work that man!
"a just war in which the French regained what was theirs by right"
'Normandy' was created as a fief by the Treaty of Saint-Clair-sur-Epte in 911, based on concessions made by the French King to the Viking leader Rollo - the word Norman being related to 'Northmen' (Normanni in Latin).
Normandy was not France, and the Normans were not really French - rather, they were Scandinavians ruling natives of Frankish and Gallo-Roman stock. Vassals of the French King they were, but that was far from being French!
The Normans despised the French.
A fine tradition which we continue to this day!
There is an awesome rendition of the Bayeux Tapestry in small town New Zealand.
1.5 million "bits" of spring steel, individually coloured, so maybe say one byte per "bit". This is a scaled down rendition, not at the original physical size, but there has been no information lost, per se.
the first comic strip. Well, perhaps not the *first* comic strip, but one of the more significant ones. There's a direct artistic and storytelling link from the Bayeux Tapestry (which I've loved ever since National Geographic printed the whole thing in '66) to Peanuts, Doonesbury and the like.
But (said in my most condescending voice) if you IT folk would like a small claim to it, then we'll not object.
I understood (from an antiquarian and reliable source) that it shows Harold being killed by a mounted knight, with a sword. The guy with the arrow would be soemone else.
I like the article.
I remember something like that also, on TV years....ago
The illustration in the article shows the crucial scene, with the caption "Hic Harold rex interfectus est" positioned above both a figure with an arrow in the face, and a figure on the ground, who is being slashed with a sword to the thigh by a mounted knight.
R. Allen Brown, in his article 'The Battle of Hastings', in Anglo-Norman Warfare, adopts the view that the tapestry shows consecutive scenes - the figure with the arrow and the figure on the ground are both Harold. This interpretation has Harold mortally wounded by a chance arrow, then slashed as he lay prostrate.
Yes, there's an argument for a different part of the picture to be the death of Harold. The Tapestry has a pattern linking pictures and text, and if Harold got it in the eye, that pattern is broken. it is, as I recall, to do with where the verbs are,
The Tapestry isn't the only source, and the eye version doesn't get mentioned elsewhere.
Im not sure anything can really be classified as a reliable source on matters as trivial as exactly how someone died in a battle over a thousand years ago (well it probably wasnt trivial to the person who died, but its certainly a detail guaranteed to be forgotten, reimagined, reportrayed and forgotten again many times over the course of 1000 years).
As mentioned most recently in a documentary hosted by Tony Robinson, on close inspection there appears to be a line of stitch holes indicating that there was once thread depicting an arrow in the eye of the figure on the ground who is being hit in the leg by the mounted Knight but the thread had somehow been lost.
If so, it's rather akin to recovering lost data using more sensitive tools than a standard read-head :-)
But why did he change his socks in the meantime?
This is what happened. Harold was hit by the arrow, but not in the eye. The arrow simply grazed the side of his head and got trapped in the padding of his helmet. Bleeding heavily from the scratch to his head, he decided to leave the field and send in his double to take his place. However, due to last minute confusion at the laundry, the double was wearing the wrong socks! Nobody noticed at the time, but it is plain to see in the documents. Harold was officially dead, so he couldn’t just walk back into the battle. Superstitious people on either side would have simply killed the “ghost”. He was never seen again. Rumours of his location will be revealed in next weeks episode.
Current Year = 2011
Year of the Invasion = 1066
Difference 945 years.
IN fact the item (its not strictly a tapestry) was likely commissioned several YEARS after the event so its closer to 935-940 years old.
The 'perfidity of Harold' is widely thought to be an invention of William in order to secure Church blessing for the invasion. Apparently it was going nowhere till he 'suddenly remembered' that Harold had sworn an oath on relics - pull the other one mate, it hath bells on it.
Plus, anything you read about the English that has been written by the French (whether 1000 years ago or yesterday) has to be taken with a smidgen of suspicion
"Plus, anything you read about the English that has been written by the French (whether 1000 years ago or yesterday) has to be taken with a smidgen of suspicion"
How utterly refreshing.
"a rate of 2.168 bytes/per hour (17.344 bits/min)"
Er, no. 2.168 bytes/hour = 17.344 bits/hour = 0.289 bits/min ... or ~3.4 minutes/bit
You are ignoring the fact that colors may have faded over time and therefore the integrity of each and every bit, except for the zero bits, is in question.
But the author assures us that they haven't: "The vegetable dyes used to colour the threads have kept their colour for nearly one hundred decades". How can he know this?
(As seen all over Encyclopedia Dramatica...)
BTW, are these read-write heads bidirectional or uni-? And should we really consider the information content in it as a bitmap, or would a vector graphic description be a more realistic depiction of what was actually in the heads of the authors?
Nice effort, but I think the reporting accuracy is about as good as the 'document'.
Hmmm. I wonder what the equivalent of the BSOD is?
Nice Sunday evening reading anyway